The Lawrence Wilson Art Gallery presents a program of innovative exhibitions featuring the University's extensive art collection, as well as new, contemporary art and touring shows.
Exhibition catalogues and publications, as well as art objects and gifts, are available for sale in the Gallery shop.
Shadow Land is a survey exhibition of Anne Ferran’s most significant projects and series, spanning more than 30 years.
The earliest series of works touch on French cultural theories of feminism and representation in their staged classical tableaux style. Since 1995, Ferran has been examining and re-discovering Australia’s colonial heritage utilizing museum collections, photographic archives and archaeological sites, nationally and internationally. She is interested in the gaps or silences in the records and personal histories of those incarcerated in prisons, hospitals, mental asylums and female factories. Her practice incorporates a variety of media including photography, textiles, installation, text, and video/film.
Shadow Land has been accompanied by a residency in Fremantle resulting in a new body of work based on the disbanded library at the Fremantle Prison.
Featured image: Anne Ferran, Scene IV from Scenes on the death of nature, 1986, gelatin silver photograph, 154 x 115cm, Courtesy of the artist and Stills Gallery, Sydney / Sutton Gallery, Melbourne.
The techniques of Japanese woodblock printing, moku hanga, is identified most closely with the genre of art Ukiyo-e, commonly translated as 'pictures of the floating world'. This was adopted from the Chinese book printing techniques during the Edo period (1603 - 1867) and developed into a distinctive art form, using water-based inks to provide a wide range of vivid colours possessing extraordinary transparency.
Despite early seventeenth century experiments with the use of movable wooden type to produce books, craftsmen preferred engraved woodblocks for book production of small cheap art prints for a mass market. Now known as Saga books, after the town in which they were created, these classic tales became particularly well known.
Ronald and Catherine Berndt collection many such Ukiyo-e together, starting when Ronald was still at school. Drawn not only from the classical sagas of Japan, the Ukiyo-e depicted a contemporary world of people in their landscape and their society.
Featured work: Woodblock print, Japan, 35.3 x 23.4 cm. RM & CH Berndt Collection [WU8767]