Lawrence Wilson Art Gallery

Cruthers Collection of Women's Art

Further information

Current Exhibitions

Donations

The CCWA may accept donations of artworks to the collection through the Ministry of the Arts Cultural Gifts Program, provided they fit within acquisition parameters.

Enquiries

Please direct all enquiries to:

Gemma Weston
Curator
Cruthers Collection of Women's Art

 

The Cruthers Collection of Women’s Art (CCWA) at The University of Western Australia is Australia’s largest specialist collection of women’s art.

A dynamic program of exhibitions drawing from the CCWA can be viewed year-round in the Lady Sheila Cruthers Gallery, a dedicated space within the Lawrence Wilson Art Gallery.

Exhibitions


oil painting of three figures with bright auras in a room

Authentic Determination

5 May - 18 August 2018

Based in Adelaide, South Australia, Brigid Noone has expanded her painting practice into an experimental hybrid of artistic and curatorial processes, often incorporating the work of other artists into her wall paintings and installations or working collaboratively to produce co- authored exhibitions. As co-director of Fontanelle, a gallery and studio complex now located in the heritage precinct of Port Adelaide, Noone has been instrumental in recent discussions about feminism and community in contemporary Australian art.

Authentic Determination sees Noone apply her unique methodology to the Cruthers Collection of Women’s Art, considering the artist as ‘whole being’. Noone will open a conversation between the collection, her own work and the work of her peers, exploring how the complex lives of artists are embodied in their work.

Exhibitions from the Cruthers Collection of Women’s Art are supported by SHEILA A foundation for women in visual art. 

Image: Brigid Noone, Lucky Bitches, 2017, oil on canvas, 75x100cm. © Courtesy of the artist. Photograph by Grant Hancock


The collection

The Cruthers Collection of Women's Art (CCWA) is founded upon a substantial gift made by Sir James and Lady Sheila Cruthers to the University of Western Australia in 2007. Lady Sheila Cruthers and her son John began building a collection of women’s art in the 1970s, focusing primarily on portraiture and self-portraiture and as well as key areas such as modernism, post-modernism, feminism and abstraction.

Decades of passionate advocacy and support for the art of Australian women have resulted in a diverse, eclectic and distinct collection and a significant contribution to the history of Australian art.

The CCWA includes works from the 1890s to present day in a variety of media. It features well-known historical figures and prominent contemporary artists as well as a host of significant, yet under-recognised practices.

A substantial survey exhibition, LOOK LOOK AGAIN, was presented at Lawrence Wilson Art Gallery in 2012. A full-colour companion publication, Into the Light, explores the collection in detail.

The CCWA continues to expand through focused acquisition. It aims to contribute to and challenge dialogues about Australian women’s art through exhibition, teaching, research and publication.

List of works in the collection

Collection feature:

Image of artwork by Erica McGilchrist

Erica McGilchrist, The Abandoned (Kew Mental Hospital), 1954, oil on board, 92 x 69cm. CCWA 974. Cruthers Collection of Women's Art, The University of Western Australia. Donated through the Australian Government’s Cultural Gifts Program by Phillip Boulten. (c) Courtesy the artist's estate.

The Abandoned (Kew Mental Hospital) is one of an important series of paintings and drawings produced during McGilchrist’s 18 month period as an art instructor at the Kew Mental Hospital. 

About the production of the ‘Kew Mental Hospital Series’, she writes:

In 1953-54, my sympathy and identification with the `dispossessed’ (perhaps the product of a rootless childhood and a marriage that didn’t offer me a sense of final belonging or true bonding) led me to establish art `classes’ (`art therapy’ was not yet a word to describe such activity) at Kew Mental Hospital in Melbourne, at the invitation of Dr Cunningham Dax, then Director of Mental Hygiene, an Englishman with a special interest in psychotic art and the potential value of pictorial expression as an aid to diagnosis and treatment of certain mental illnesses… The `dispossessed’ - or `possessed’ - were concentrated there in hundreds, perhaps thousands. Kew Hospital was a prison where patients who had been classified as `incurable’ were collected, waiting for death to release them. A series of works on what I saw and experienced at Kew was inevitable.”

Read more.

SHEILA A foundation for women in visual art

The Cruthers Collection of Women's Art is generously supported by SHEILA A foundation for women in visual art. 

(The foundation was previously the Cruthers Art Foundation (CAF) established by the Cruthers family in 2006.)

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